13APR 2013
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The Sculptural Work / Nick Ervinck
Posted in Design - Design by * FORMAKERS
Belgium-based artist Nick Ervinck has created a variety of sculptures using computer-aided design.©
Artist Statement: With a background in sculpture myself, I have always been fascinated by the way in which art has developed through the use of new materials and techniques.©
Somewhat disappointed by the lack of renewal in contemporary sculpture, I turned towards architecture and applied sciences, in order to find a new formal language generated by computer software, composing forms and designs that were unthinkable in all those years before.
This computer-aided designs (often referred to as ‘blob architecture’) resulting in organic, amoeba-shaped, bulging forms, were explored by the architect Greg Lynn in 1995.©
As a result of this new movement, architects started to remove themselves from the linear and corner-like box structures and instead turned to rounded, bulging shapes as structural forms.©
This constant tension between ‘box’ and ‘blob’ forms is crucial in my artistic practice.©
Using copypaste techniques in a 3D software environment, I’m deriving images, shapes and textures from different sources: basilicas, corals, dinosaurs, cottages, Rorschach inkblots, Chinese rocks and trees, manga, twelfth-century floral wallpaper, anatomical parts,… Simultaneously, my work holds numerous references to the tradition of sculpture, such as the work of Hans Arp, Henry Moore or Barbara Hepworth.©
I often refer to a quote by Rem Koolhaas: “Where there is nothing, everything is possible.©
Where there is architecture, nothing (else) is possible.” I therefore try to let architecture and sculpture meet, and to explore the realm of the impossible by constantly pushing the limits of what we call ‘realistic’.©
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