26MAR 2012
© Phil Cuttance The mould is then manually manipulated to create the each object's form before each casting, making every piece utterly unique.
See the FILM at left to see how they are made.
The FACETURE process
First the mould of the object is hand-made by scoring and cutting a sheet of 0.
© Phil Cuttance5mm plastic sheet. This sheet is then folded, cut and taped into the overall shape of the product that is to be cast. The mould's final shape, and strength, is dictated by which triangular facets I pop in and out.
© I do this each time I ready the mould for the next object, meaning that no two castings are the same. I then mix a water-based casting resin that is cast in the mould where it sets solid.
The resin is poured into the hollow mould and rolled around to coat and encase the sides, controlled by me on the casting jig on the machine.
© Phil Cuttance The material soon sets creating a hollow solid object. Then another, different coloured measure of resin is poured into the same mould, and swirled around inside, over the first. When it has set, the mould is removed to reveal the solid set cast piece.
© Phil Cuttance The casting appears with sharp accurate lines and a digital quality to its aesthetic, a visual 'surprise' considering the ‘lo-fi’, hand-made process from which it came. The mould is then cleaned and ready for re-use.
Each vase is handmade, unique, and numbered on the base.
© Phil Cuttance.
© Phil Cuttance
© Phil Cuttance
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© Phil Cuttance
© Phil Cuttance
© Phil Cuttance
FACETURE / Phil Cuttance
Posted in Design - Industrial design by * FORMAKERS [ GM ]
The FACETURE series consists of handmade faceted vessels, light-shades and table. Each object is produced individually by casting a water-based resin into a simple handmade mould.© Phil Cuttance© Phil Cuttance© © Phil Cuttance© Phil Cuttance© Phil Cuttance
© Phil Cuttance
© Phil Cuttance
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© Phil Cuttance
© Phil Cuttance
© Phil Cuttance
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